{"id":62522,"date":"2025-02-24T11:28:12","date_gmt":"2025-02-24T10:28:12","guid":{"rendered":"https:\/\/helloproject.es\/vigilancia\/el-streaming-favorece-la-popularidad-de-canciones-con-letras-sexistas\/"},"modified":"2025-02-24T11:28:12","modified_gmt":"2025-02-24T10:28:12","slug":"el-streaming-favorece-la-popularidad-de-canciones-con-letras-sexistas","status":"publish","type":"post","link":"https:\/\/helloproject.es\/vigilancia\/el-streaming-favorece-la-popularidad-de-canciones-con-letras-sexistas\/","title":{"rendered":"El \u2018streaming\u2019 favorece la popularidad de canciones con letras sexistas"},"content":{"rendered":"

El sexismo en las letras de las canciones m\u00e1s escuchadas en Espa\u00f1a se ha intensificado en los \u00faltimos 20 a\u00f1os, con un incremento especialmente notable en la \u00faltima d\u00e9cada. As\u00ed lo indica un estudio liderado por la Universitat Pompeu Fabra (UPF), que ha analizado m\u00e1s de 2000 canciones publicadas entre 1960 y 2022.<\/p>\n

Los resultados de la investigaci\u00f3n, publicados en la revista Cogent Arts & Humanities, indica que el 51 % de los temas examinados contienen expresiones sexistas.<\/p>\n

\u201cLos resultados son impactantes, ya que evidencian que, aunque ha habido avances en la igualdad y la lucha feminista, las letras de muchas canciones siguen perpetuando estereotipos da\u00f1inos\u201d, afirma Laura Casanovas-Buliart, investigadora de la UPF y autora principal del estudio.<\/p>\n

<\/p>\n

Los resultados son impactantes, ya que evidencian que, aunque ha habido avances en la igualdad y la lucha feminista, las letras de muchas canciones siguen\u00a0perpetuando estereotipos da\u00f1inos<\/p>\n

Laura Casanovas-Buliart, autora principal (UPF)
\n<\/p>\n

El trabajo apunta a diversas causas que podr\u00edan explicar el aumento del sexismo en las letras musicales. Por un lado, destaca la influencia del contexto social e hist\u00f3rico en la producci\u00f3n art\u00edstica y la persistencia de estereotipos de g\u00e9nero en la sociedad espa\u00f1ola.<\/p>\n

<\/a><\/p>\n

Sin filtros editoriales<\/h2>\n

Adem\u00e1s, se\u00f1ala el impacto de las plataformas de streaming, que han sustituido a la radio como principal medio de consumo musical. A diferencia de la radio, donde los contenidos pasaban por filtros editoriales, los algoritmos de las plataformas posicionan las canciones seg\u00fan su popularidad sin evaluar sus letras, lo que genera un \u201cbucle de retroalimentaci\u00f3n\u201d que favorece la difusi\u00f3n de tem\u00e1ticas sexistas.<\/p>\n

Para analizar la gran cantidad de datos, los investigadores desarrollaron un sistema basado en inteligencia artificial que permiti\u00f3 detectar el sexismo en las canciones a partir de datos etiquetados manualmente. Este modelo computacional, entrenado con t\u00e9cnicas de aprendizaje de m\u00e1quina, representa una innovaci\u00f3n metodol\u00f3gica en el estudio de la producci\u00f3n cultural.<\/p>\n

<\/a><\/p>\n

El papel de las plataformas digitales<\/h2>\n

Carlos Castillo, investigador ICREA en la UPF y coautor del trabajo , destaca que los resultados podr\u00edan tener implicaciones en el debate sobre el papel de las plataformas digitales en la difusi\u00f3n de contenidos. \u201cIgual que le pedimos a las plataformas de medios sociales que reduzcan la visibilidad del contenido radical o xen\u00f3fobo, podr\u00edamos pedirle a las plataformas de\u00a0streaming\u00a0que no den tanta visibilidad a canciones que promueven\u00a0comportamientos machistas\u201d, propone.<\/p>\n

<\/p>\n

As\u00ed como se solicita a las redes sociales limitar la difusi\u00f3n de contenido radical o xen\u00f3fobo, tambi\u00e9n se podr\u00eda instar a las plataformas de streaming a reducir la visibilidad de canciones con mensajes machistas<\/p>\n

Carlos Castillo, investigador ICREA en la UPF
\n<\/p>\n

La combinaci\u00f3n de inteligencia artificial y an\u00e1lisis de datos tambi\u00e9n representa una oportunidad para las ciencias sociales. \u201cEste tipo de investigaci\u00f3n permite analizar grandes vol\u00famenes de datos y comprender mejor c\u00f3mo la cultura refleja y refuerza ciertas din\u00e1micas de poder\u201d, se\u00f1ala Priscila \u00c1lvarez-Cueva (ICREA -UPF).<\/p>\n

En el futuro, los investigadores esperan ampliar el conjunto de datos para perfeccionar los sistemas de an\u00e1lisis y seguir explorando el impacto del sexismo en la m\u00fasica y otros \u00e1mbitos culturales, seg\u00fan los autores.<\/p>\n

Referencia:<\/p>\n

Casanovas-Buliart, L., Alvarez-Cueva, P., & Castillo, C. (2024). Evolution over 62 years: an analysis of sexism in the lyrics of the most-listened-to songs in Spain.\u00a0Cogent Arts & Humanities,\u00a011(1). https:\/\/doi.org\/10.1080\/23311983.2024.2436723<\/a><\/p>","protected":false},"excerpt":{"rendered":"

El sexismo en las letras de las canciones m\u00e1s escuchadas en Espa\u00f1a se ha intensificado en los \u00faltimos 20 a\u00f1os, con un incremento especialmente notable en la \u00faltima d\u00e9cada. As\u00ed lo indica un estudio liderado por la Universitat Pompeu Fabra (UPF), que ha analizado m\u00e1s de 2000 canciones publicadas entre 1960 y 2022. Los resultados […]<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[5],"tags":[],"class_list":["post-62522","post","type-post","status-publish","format-standard","hentry","category-noticias"],"yoast_head":"\nEl \u2018streaming\u2019 favorece la popularidad de canciones con letras sexistas - bip4ex<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/helloproject.es\/vigilancia\/el-streaming-favorece-la-popularidad-de-canciones-con-letras-sexistas\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El \u2018streaming\u2019 favorece la popularidad de canciones con letras sexistas\" \/>\n<meta property=\"og:description\" content=\"El sexismo en las letras de las canciones m\u00e1s escuchadas en Espa\u00f1a se ha intensificado en los \u00faltimos 20 a\u00f1os, con un incremento especialmente notable en la \u00faltima d\u00e9cada. 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